With analog and digital capabilities, a variety of microphones, and vintage gear, Echo Mountain can suit any artists needs. Designed by George Augsperger, the control room features a vintage Neve 8068 with Uptown Automation. We have a Studer A800 with 8, 16, and 24 track head stacks as well as an Ampex ATR 102 ½” 2 track. For those wanting to stick to digital we run Pro Tools HD3 with 24 I/O of Apogee Rosetta converters. Our full gear list can be found just to the right.

• Gear List • Studio Tour • Clients

We have a lot of work to do before Studio B is open but the process is currently underway. We’re taking the 9600 square foot building adjacent to the church and turning it into 3 floors of useful space. The building was once a Salvation Army and then was used as a dance school for many years. George Augsperger will once again be designing the space for us. As for the gear, we have already secured an API 3288 console for the control room. Stay tuned for updated gear list and pictures as we go along.

Amy Ray
"I wanted to explore new territory, and I wanted to use a different part of my voice."

In "Didn't It Feel Kinder," Amy Ray's third solo recording and most ambitious independent effort to date, the singer-songwriter's style and lyricism reflects her many musical influences, breaking new ground for avid Indigo Girls followers and her solo career fans alike. New listeners will follow Ray far through a rich musical landscape that is both intimate and grand, like sneaking in on sound check at the Knitting Factory.

Independent to the core, Ray began designing the album while on tour with the Indigo Girls in the UK.Together with former Butchies Kaia Wilson and Melissa York, and Greg Griffith on bass, Ray molded a danceable rhythm that is at once pop, punk rock and hip hop.

Didn't It Feel Kinder marks Ray's first solo effort utilizing a producer. Greg Griffith (The Butchies, Le Tigre, Loudspeaker, Vitapup), a fearless listener and multi-talented musician, worked with Ray to incorporate a variety of sounds and influences as diverse as Al Green, The Pretenders, OutKast, and Violent Femmes, to create her unique and evolving voice throughout this record. The record will be released on August 5th by Daemon Records.
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Kris Orlowski
By deftly combining the intensity of a full band with engaging pop-driven melodies, Kris Orlowski has created a sound that is stirring, distinctive, and quintessentially northwestern. The band brings their roguish antics, witty musical interludes and infectious, affable sense of belonging to their live shows, leaving the listener wanting much, much more. The band's live show continues to evolve, dressing their already relatable sound with light movements and driving spectacles.  Their blend of emotional vocals, witty onstage dialogue, and catchy songs are something worth discovering.
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